- BEST MAC FOR VIDEO EDITING 2020 PORTABLE
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There is nothing worse than editing footage that doesn’t play correctly and it can be a massive waste of your time. ProRes Proxy is a very light, system-friendly codec that will drastically improve your editing experience. In fact, I always recommend ingesting and transcoding all of your footage to ProRes Proxies prior to cutting anything, regardless of your NLE or machine power.
BEST MAC FOR VIDEO EDITING 2020 PRO
When he starts to add in additional layers of 4K video and color grading, there is a noticeable drop in the performance and the systems fan is running, which means the processor is struggling to keep up.įour streams of 4K video is a little more than the base MacBook Pro 13″ can handle for a smooth playback, but as he points out you can edit from proxy media which will speed up your performance dramatically. Barely a frame is skipped during playback and the system is handling the footage really well. Some machines might appear zippy when you’re cutting the content but when you’re up against the clock outputting your final render, they slow to a crawl.Īt first, everything is smooth sailing with cutting the content of the video. It is important to look at editing performance and rendering performance separately.
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FCPx is an Apple product that is designed to work on Apple Computers, however, most editing software will perform similarly to the example presented here.
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This editor prefers to cut in FCPx, which is a great choice for professional editing. His posts feature about three video streams and have a total editing length of about 5-8 minutes. In this example, The Everyday Dad will attempt to cut his regular video blog post with footage from the Panasonic GH5 in 4K 4:2:2 10-Bit. Since all current MacBook Pros only have Thunderbolt 3 ports, you’ll need additional adapters for SD cards and other media. If you prefer more desktop real-estate, you’ll also need a USB-C display port adapter for an external monitor.
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It was portable but it was dead slow and had a price tag of around $30K – which didn’t include the hard drives.Ĭomputers have come a long way in a very short period of time, and honestly most cell-phones are faster than what professional editors were cutting Hollywood features on 15-20 years ago. It was one of the most uncomfortable editing systems I’ve ever used. Long ago, I edited a 2-hour long documentary on an Avid System that was built to be dropped from a helicopter into a war zone. Do you need all of the bells and whistles of a fully-loaded Mac Pro desktop, or will something small and portable suffice? Does the system need to cost you an arm and a leg, or can you get by with the base model?
To answer this question, The Everyday Dad puts this fun-sized MacBook Pro to the test, and gives us his take on what it would be like to use the cheapest of Apple’s Pro line laptop as your only editing system for cutting your videos.ĭetermining what editing system will meet your needs as a content creator can be a tricky business. What would it be like using the base model $1,299 13″ 1.4Ghz Quad-Core i5 MacBook Pro with 8GB of RAM and a 256GB SSD to cut multiple streams of 4K 10-bit 4:2:2 from a Panasonic GH5? Is the system fast enough, powerful enough to not only play and edit the material but also to render and deliver the final video in a timely manner? Are the specs enough for the daunting task of professional editing, or would this system crash and burn?
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